Intersections of poetry & improv
My friend Kim recently wrote about how she and her students were writing poems using inspiration from three words provided by the students. She describes how in the first iteration, the poems were very literal in their interpretation. Kim then worked with the students to brainstorm imagery related to the words. Finally, she challenged them (and herself) to write a poem using the three words without the poem being about any of the words. As she understates, “[t]his was much more difficult!”
Kim’s observations parallel the learning process of improv, a new-ish endeavor of mine. At the beginning of a set, the performers typically ask the audience to provide one or more words that are then used as inspiration for creating scenes and story lines. Just as Kim describes, emerging players often create scenes that stick close to the literal words, whereas more experienced players use them truly as inspiration and wander much further afield in associations and connections. As a result, their scenes are richer and more satisfying, to both the performers and the audience.
Developing any new competence takes time, practice, encouragement and constructive feedback. I’m fortunate to be learning to perform improv at a studio which swarms with supportive, encouraging instructors and fellow performers. This nurturing environment is part of the culture, fostered by the owner and artistic director.
In our schools, we have the same opportunity, and responsibility, to develop and sustain a culture which encourages students to grow into their full potential.