May 13

Celebration!

For the past several months, I have been alternately a coach, cheerleader and nag in supporting a group of five teens as they have created and iteratively evolved a #project for National History Day (#NHD), a #process I detail here.

The students successfully advanced through two regional competitions. The stage was set for the last leap as they presented themselves before a panel of judges at Illinois History Day, the final round of competitions from which national delegates are chosen.

In theory, the interview is moot, as the judges are instructed to assess the projects based solely on the concrete evidence – the product (in this case a documentary) and supporting documentation (annotated bibliography and process paper). Having some insight into human behavior, I believe these informal interviews nonetheless influence the judges in their conclusions.

Initially, the group of #Meliora students was confident as they answered the judges’ questions. Then, they were asked about something they were unprepared for. They would have probably been best served by saying they didn’t know the answer. Instead, they fumbled around and several students gave conflicting information.

They left the interview totally dejected, knowing they had flubbed, and convinced they had lost their opportunity to advance. A few hours later, they glumly presented themselves for the closing ceremony, where the national delegates were to be announced. There are only 18 projects which advance from each state to the national level, and my students were in competition with dozens of other Illinois students. They understood the stakes.

We all agonized through the obligatory announcements. Finally, the moment of truth arrived. Ploddingly, the announcer named the NHD qualifiers for other categories. She arrived at documentaries, backtracked, then spoke… “Senior level, group documentary… Colleen Moore…” Hysteria erupted among the Meliora contingent, beginning with the parents. The students were stunned, then raced up to collect their medals and to await the photo opps. Jubilant, I ran with my camera to capture their joy.

For a glimpse into how the #iterative process embedded in this competition (and in #PBL in general) helps develop a variety of skills, from critical thinking to creativity, take a peek at their product for the first competition:

And the one which earned them a spot at NHD:

Of course, they are not done. They will be revising their documentary one more time before heading to the University of Maryland in early June.

April 26

#PBL as a #process within a #framework

Recently, a team of five #Meliora students uploaded a newly refined version of their history fair project. Next week, they will be competing at Illinois History Day, the last step in their quest to qualify as national contestants.

National History Day (#NHD) provides a good example of the Project-Based Learning (#PBL) #process and #lifecycle. Students are first challenged at a local/school level to create a project, within a specified #framework. As pointed out in the High Quality Project Based Learning Framework, and by John Spencer, high-quality PBL is not a free-for-all, but rather #learnercentered work conducted within the boundaries of a defined structure.

The NHD project framework consists of the following specific criteria:

  1. Must strongly incorporate the annual #theme (the 2018-2019 theme is “Triumph & Tragedy in History”).
  2. A choice of five categories: paper; exhibit; performance; documentary; or website. This variety offers students abundant #voice and #choice in the product they create. Ultimately, the product serves as their primary #evidence of #learning.
  3. Constraints for each project category. For example, documentaries cannot exceed ten minutes in length. Conversely, they should not be much less than ten minutes long, (an unspoken rule) because if students cannot find ten minutes of evidence to support their argument, it suggests they have not looked into their topic deeply enough.
  4. Supplementary documentation, including an annotated bibliography and a process (#reflection) paper.
  5. #Public #presentation (#communication) before a panel of judges at each level of competition. The judges use identical evaluation criteria for each category of project, focusing on the clarity and strength of the argument the students develop in defense of their thesis statement.

Nearly every discipline uses a framework or blueprint for their creative work, it’s a writer’s workshop structure, an engineering process, the scientific method, or a design thinking framework. ~ John Spencer

Students have complete voice and choice in the topic they explore, as long as their thesis and argument fit within the framework. In past years, Meliora students have explored topics as diverse as “The Tucker Torpedo,” Women’s Suffrage, Michael Jordan (national contender) and Soul Train (national contender). The topics chosen reflect the students’ interests, while at the same time requiring them to conduct thorough research.

In many cases, the students started their journey with superficial knowledge. As they dug deeper, their knowledge and critical analysis expanded. Not only did they learn more about their chosen topic, but more importantly (shhhhh, don’t tell them), they developed a much deeper understanding of the historical context, content, and relevance.

In my role as #facilitator, I did not “teach” them about their topic. Rather, I asked them many open-ended questions: “Why did [event] happen?” “What else was happening in the [country, world] at the time?” “What was life like at that time?” “How do you know?” I also helped them locate resources, and persistently asked them to use proper research methods.

This year, the most significant #mindset growth this team made was arguably related to an interview they conducted. That one 20-minute activity (plus the preparation work) exponentially boosted their confidence and their belief that they have significance, not only in the teen world, but also the adult world.

As I also write here, students who participate in National History Day create multiple #iterations of their product, refining their work between each level of competition. Since the project framework remains constant, they invariably are faced with making tough decisions as to which evidence is most relevant to their thesis argument. There is frequent anguish as they remove a favorite quote or an image they love, even as they recognize that a particular element is less important than others they need to include.

This refinement process is an excellent tool for helping the students develop #criticalthinking skills. When they are struggling to make decisions and ask my advice, my standard response is, “In what way does it support your thesis?” Often accompanied by sighs and groans, they make the correct decision.

This is the documentary going to competition next week:

For the truly dedicated, here is the team’s first version:

April 15

Another example of how and why #PBL works

A few days ago, I informed a group of five #Meliora students that their history project had advanced to Illinois History Day, the last step in their quest to become contestants at National History Day.

I see these students face-to-face one day a week; the rest of the time they work individually and in a virtual environment using collaborative tools such as G Suite for Education and Trello. I informed them by email of their victory, expecting some kind of happy dance response. And received silence.

The next day, my phone rang. “Um, Miz J, we have been working on updating our project narrative. Can you look at it and give us feedback?” They had arranged a face-to-face meeting among themselves and gone to work.

This is a fine example of #intrinsic motivation, and an outcome commonly seen in #PBL (project-based learning). As I describe here, engagement was maximized by giving students #voice and #choice over their project topic, and also over the format they used to develop their product.

They have been working on this project (along with other things) this whole semester. This long exploration exemplifies “sustained inquiry,” an integral element of Gold Standard PBL, as defined by PBLworks. Multiple factors have sustained the students’ interest. Initially, they were intrigued to find out more about the subject of their project, Colleen Moore. They researched using books, clips of her silent movies, online archives, databases, etc.

Once they wearied of these forms of investigation, they experienced a fresh spark when they interviewed Ms Moore’s grandson. His descriptions of her, and other connections he pointed them to, renewed their enthusiasm for digging deeper into evidence of her life and influence.

The inquiry process takes time, which means a Gold Standard project lasts more than a few days. In PBL, inquiry is iterative; when confronted with a challenging problem or question, students ask questions, find resources to help answer them, then ask deeper questions – and the process repeats until a satisfactory solution or answer is developed. ~ PBLworks

Another important factor in the students’ continued enthusiasm is the public audience, another tenet of Gold Standard PBL. At each level of competition, they present their project before a panel of judges. Invariably, the judges express interest in their work and in their process. The judges also provide the students with specific suggestions on how to improve their work.

This encouragement and critique from the outside audience spurs the students on to create yet another #iteration of their project (also integral to Gold Standard PBL). The stakes are also higher at each level of the history fair competition, which intensifies both the focus and the stress.

The challenge is to ensure the students are experiencing an appropriate level of stress. As this Psychology Today article states, “You experience good stress when you feel a sense of control over the event in question. No matter how your body may respond in the moment, you know you’re going to come out fine on the other side—and perhaps even better for the experience.” My observation is this group of students is functioning within this range. Their ultimate goal is to advance to the national level of competition. At the same time, they are staying grounded, taking one step at a time, to each subsequent level of competition.

The current iteration of their project may be viewed here.

April 5

Evidence, always need evidence

Earlier this week, a group of five #Meliora students finished revising their National History Day (NHD) documentary project in preparation for the next level of competition. NHD projects essentially consist of developing and defending a thesis, a difficult cognitive task for the middle- and high-school students who enter this contest each year. At each level of competition, the students present their project before a panel of judges, who evaluate and provide feedback on the solidity of their thesis argument. Those projects with the most persuasive defense are the ones which advance to the next level.

In the recent competition, my students received feedback that their selection of secondary sources was narrow and limited. The judges knew this because as part of the NHD framework students are required to create an annotated bibliography of their sources.

As I supported them in learning how to more effectively dig through (online) newspaper and other archives, one of the students commented, “we don’t need this article, because we already have this information.” Which prompted me to loop back to earlier in the year, when we discussed reliability of evidence, how we must find multiple sources that support facts or a certain interpretation in order to consider it reliable. We work on #digitalliteracy as we talk about the kinds of digital sources that are generally more reliable, with the understanding that even those must be substantiated.

During the revision process, the students also made some claims I was skeptical of as they developed their historical context. So, I did a little research of my own and presented my evidence, which clashed with their claims. Then I asked them to sort out what they thought the most valid interpretation was.

This experience coincided with my reading of a recent MindShift article on how students are unable to evaluate the credibility of what they read online. The percentages are staggering; 82% of middle schoolers in a 2016 study were unable to tell the difference between an online ad and a news article. Even more frightening is that 59% of adults in a 2014 study couldn’t tell the difference either.

As Sam Wineburg, Stanford University professor states, “rather than teaching them [history lessons] as rules or things fixed in time or set in amber, these are precisely the kinds of things that are worthy of debate.” In Meliora history classes, every topic is open to discussion. I impress upon my students that I am not the “expert,” that they are welcome to challenge any claim I make… as long as they have evidence. As we ask our students “why?” and “how do you know?” during these kinds of discussions, we are helping them develop their #criticalthinking skills.

For the curious, the Meliora documentary project currently in competition can be viewed here.

February 8

‘twixt and ‘tween childhood and adulthood (and how #PBL builds maturity), Part 2

A few moments after the agonizingly drawn-out note-writing experience I describe here, I witnessed (not for the first time!) the mercurial shift of these teens into almost-adults.

Each year, the history students in my #Meliora project-based learning (#PBL) practice create a project to submit to the National History Day (NHD) competition. This year, a group of five students is collaborating on creating a video documentary. The deadline to submit their work for the first round of competitions is eight days away. They have a lot of work to do, as is the case every year about this time, when students realize they are down to the wire.

This afternoon, I sat in on a revision process of the voice-over narrative the students are going to use. The objective of the narrative is to argue their thesis. The quality of their thesis and supporting evidence is what will allow them to advance to the next level of competition. Or not.

The assignment I gave them was to have one student read the narrative aloud while the other students listened. The listeners could stop the narrator at any point and jump in with suggested revisions. My observations:

  1. One student started reading the narrative, and was having difficulty staying focused enough to read smoothly. Another student stepped in to take over the task. The “hand-off” was done with a friendly, positive attitude by both students.
  2. Students were listening intently to the narrative flow.
  3. When students heard something they felt was lacking/incomplete/repetitive, they spoke up immediately and the whole group worked to find a solution.
  4. There was no defensive or argumentative behavior and they came to consensus efficiently.

These are the moments that inspire me to continue challenging students using PBL. In this one activity, which lasted for about 45 minutes, the students hit all of the touchstones of High Quality Project Based Learning:

  1. Intellectual challenge and accomplishment. At the beginning of the semester, they spent weeks researching and defining their thesis. Once established, my persistent question to them has been “how does this narrative support your thesis?” That was a question they returned to throughout their review today.
  2. Authenticity. They had complete choice over their topic, the two constraints being that it relate to Illinois history and that it fit the NHD theme, which this year is “Triumph & Tragedy in History.” This is a requirement of the Chicago History Fair organization, the regional level of entry into National History Fair. Due to this freedom of choice, they have remained highly engaged in conducting research and creating a convincing argument.
  3. Public product. The students will be presenting their work to a panel of judges in a public forum, which raises the stakes and their desire to create a high-quality product. The stakes (the intensity of competition) will continue to raise as they advance levels.
  4. Collaboration. Today’s task was completely collaborative. Throughout the project, they have worked both individually and collaboratively toward a common objective, which is  persuasively arguing their thesis.
  5. Project management. They students have been using Trello throughout the project process to identify, assign, and track progress on tasks. Finalizing the narrative is a task they must  complete before they can assemble the video documentary, so they understand the criticality.
  6. Reflection. They were actively and openly reflecting on the narrative composition that had been done to-date. Throughout the project development process, they are required to reflect on how the items they are researching, the books, images, video clips, newspaper articles, etc. contribute to their argument. They assigned team roles and responsibilities early in the project, and have continued to modify them over time, based on the interests and skills of each team member.

I have every confidence a week from now these engaged, enthusiastic students will have a well-argued, well-edited documentary to submit for competition. Because they care.

October 5

STE(A)M vs Humanities: Does PBL apply to both?

Ginger Lewman is a dynamite speaker and workshop guru in the STE(A)M and Makerspace arenas. Check out her blog when you get the chance! I have yet to participate in one of her workshops, but can envision the energy and the “doing” going on as she leads students of all ages through a project. In many people’s minds, the idea of science, technology, engineering, and art all being “adaptable to” or even “led by” projects is reasonable.

I, on the other hand, am way more comfortable over in the Humanities house. History and Literature, yes! Some people have difficulty envisioning these topics being project-based. How do we learn all that content? What about commas and 5-paragraph essays? (Who ever uses a 5-paragraph essay in real life anyway? Especially one written in 25 minutes?) What about the names and dates of the many [dead white guys] of history? This must all be taught in a traditional, text-based, lecture-driven format, right? Wrong!

I was a participant in a  recent Twitter #PBLchat (Tuesday evenings at 8:00 p.m. Eastern time for those interested) where the topic was whether AP courses can be successfully taught using #PBL. The first question we were asked was “What common misconceptions about PBL ( &/or AP) lead many folks to believe you can’t use PBL in an AP course?” Dayna Laur replied “Content coverage is the common misconception. Memorization has traditionally been key. New tests changes have challenged that!” I said “[a common misconception is] PBL, cannot cover required content for Ss to do well on the AP exam.” “Misconception=>PBL is too ‘fluffy & fun’ for AP” was Theresa Shafer’s reply. “There is such a focus on content and strict time constraints” was Tammy Estes Fry’s reaction. Similarly, Jason Reale said “Not enough time to cover the content and do PBL.”

So, if we PBL practitioners believe these are misconceptions, what is the reality of  the learning necessary for students to do well on an AP exam? More generally, how can we effectively use PBL in the Humanities?

Dayna Laur’s book Authentic Learning Experiences tackles this question head-on. Two points she makes have stayed with me. Dayna emphasizes the importance of making PBL inquiries authentic. What does this mean? In a 2006 editorial in the Journal of Authentic LearningAudrey Rule writes that there are four characteristics which are regularly found in authentic learning experiences: “real-world problems that engage learners in the work of professionals; inquiry activities that practice thinking skills and metacognition; discourse among a community of learners; and student empowerment through choice.” In contrast to this definition, “projects” have often been make-work in disguise. “We have a project to make a poster…” “You will re-enact [dead white guy’s] life.”

The other point that struck me from Dayna’s book is that inquiries must be relevant to the students. The best real-world inquiry may flop if the students cannot relate to it.

Which brings me back to [dead white guys]. No student, regardless of ethnicity, cares about [dead white guys], unless he/she can develop a connection. So, why do we insist on portraying history as a series of “important” names and dates that consists of [dead white guys] students don’t identify with? We need instead to make it alive and relevant to them.

Our Meliora students are currently reading Genghis: Birth of an Empire, a historical novel of Genghis Khan’s early life and rise to power. Although their experiences are far removed from Genghis’ life on the steppes of Central Asia, the students are caught up in the adventure of the story. They can also identify with being a child and a teen. At various junctures, we ask our students what their reaction might be if they were in Genghis’ shoes. This requires them to reflect, and to compare the realities of life in Genghis’ place and time with the realities of life today, in the United States. We  also challenge our students to identify leaders they are familiar with, both past and present, who exhibit leadership characteristics similar to Genghis’. This helps them begin to identify patterns in history, and to come to their own conclusion that the past is relevant to today and tomorrow.

Although we do not teach an AP course, we can nonetheless draw parallels between what we do at Meliora and the expectations of the AP World History course. There are five themes which thread throughout the AP course. We  have extensively discussed two of the themes as we have journeyed through Genghis Khan’s early life — “State-Building, Expansion, and Conflict,” and “Development and Transformation of Social Structures.” We have not done this through a dry textbook and rote memorization, but rather through discussions around an exciting adventure story which we use to make connections between Genghis’ time and our own. We have also done in-class research when students lack clarity on a certain question or topic.

Another AP World History objective, as defined in the course overview,  is to “[l]earn to apply historical thinking skills including the ability to craft arguments from evidence; describe, analyze and evaluate events from a chronological perspective; compare and contextualize historical developments; and analyze evidence, reasoning and context to construct and understand historical interpretations.”

Our students accomplish this every year with the multiple projects they develop. For each project, they are required to define and argue a thesis, which they support with extensive evidence gathered from primary and secondary sources. Their argument takes the form of a written narrative, a spoken narrative, or a dramatic performance. To ensure relevance, we allow broad voice and choice in their topic, as long as they remain within the National History Day theme.

Throughout the project development, which consists of many iterations, we constantly challenge the students with questions like “why?” “how do you know?” “what about…” “where is your evidence?” The students ask each other the same kinds of questions during peer reviews. The requirement to think critically, and to communicate their understanding does not end in the classroom. At each increasingly competitive level of History Fair, the students must defend their projects before a new panel of judges. Not only does this provide them with a significant public audience, but it requires them to clearly communicate what they have learned.

An example of a project that substantiates PBL as an effective methodology for the Humanities has Michael Jordan at the center. Not surprisingly, the student who created this project is passionate about basketball. He started his exploration of the topic with the knowledge that Jordan had an enormous economic impact on Chicago because of his ability to draw fans to Chicago Bulls games. The student also knew that the popularity of Jordan’s merchandise gave a boost to the national economy. What the student did not understand was Jordan’s impact on urban renewal near the United Center (stadium). Prior to launching into this project, I don’t think he knew anything about urban renewal. However, due to his research into the topic, and in order to properly develop and support his thesis, the student had to broaden and deepen his view of the “Jordan Effect.” His project went on to become a national contender at National History Day.

You don’t need to take my word for it. National History Day reports that

“[i]n 2010, Rockman et al, an educational evaluation firm based in Bloomington, Indiana, finished a multiyear study that analyzed the impact of National History Day on student learning… NHD students outperform their non-NHD peers on standardized tests in all topic areas — including reading, science, and math, as well as social studies…NHD students learn 21st Century college- and career-ready skills. They learn to collaborate with team members, talk to experts, manage their time, and persevere…NHD students are critical thinkers who can digest, analyze, and synthesize information.”