March 15

Preparing for the adult world through the use of #PBL

I have an admission to make. I am living vicariously through my #Meliora students. A group of five teens has been crafting a documentary project for Chicago History Fair, with the goal of advancing the several steps that will take them to National History Day. This competition asks students in grades 6-12 to convincingly argue a thesis, a skill many students develop only in college.

The Meliora team’s self-chosen topic (a central #PBL tenet is to give students #voice and #choice in deciding what topics they #deepdive into) shines a spotlight on Colleen Moore, a larger-than-life, yet nearly-forgotten woman who was a top salary-earner in silent films; a significant influence on the evolution of American society’s views of women through her “safe” flapper lifestyle; and an investor maven, unheard of in her time.

Through a fortuitous series of events, the students located Moore’s grandson. I urged them to ask him for an interview, the goal being to have him provide them with additional evidence to include in their project. His initial reply to their email request was pretty abrupt, with edges of ice. He pointed them to a variety of existing sources that detail her life and influence, and said he would need to understand their “line of questioning” before granting an interview.

Fortunately, the students had already found and analyzed the sources he cited. I encouraged them to continue to pursue the interview, and suggested maybe his coldness was due to uncertainty around what questions they wanted to ask. I suggested they send him their interview questions, so that he would understand their “line of questioning.”

After receiving their list of questions, he agreed to a telephone interview, which was conducted by three of the five team members. When they actually got on the phone with him, he was friendly and forthcoming with information, and provided very intimate views of Colleen Moore from his viewpoint as her grandson.

It was apparent during the interview that the three student interviewers were feeling nervous. Notwithstanding, they did a stellar job, and obtained the information they were seeking. After they concluded the call, their relief was palpable, followed by laughter, and “That was great!’ They felt exhilaration related to the fact that this hard task they had never tried before had been a success.

This success led to increased confidence in reaching into the adult world. During a recent class session, the team made a series of phone calls to other potential sources in an effort to deepen their understanding and analysis of their topic. Some of the calls led nowhere, others bore fruit. As one of the students remarked, “This is fun, talking to all these people.”

This. Is. What. We. Want: Students. To. Learn. #RealWorld. #Skills.

The students’ project has advanced to the next level of competition), and they are currently in the process of improving it, based on judge feedback, readying themselves for the next level of competition. This iterative approach is integrated into #RealWorld design processes, another way #PBL helps prepare students for the adult world.

February 10

So what are 21st century skills?

Recently, I tweeted an excerpt from an article written by Graham Brown-Martin, who founded Learning without Frontiers and published Learning Reimagined in 2015. Brown-Martin’s essential argument is that we need to understand 21st century challenges in order to know what skills are required, and he identifies a number of these challenges, including climate change, growing inequality, and an ageing population. His summation is “we have the option of educating for conflict & war or educating for peace & unity.”

Part of GameShift’s response to my tweet caught my attention. They asked “So what are 21st century skills?”

As I reflected on GameShift’s question, the word that came to mind was “adaptability.” We cannot presently identify all of tomorrow’s challenges. Global dynamics are in a constant state of flux, and we are more aware of this than any other point in history, due to the quantity of and rapidity with which information (whether true or false) is dispersed. To add to this sense of chaos, people are changing jobs 10-15 times during their lifetime.

Tony Wagner’s work, which examines education through the lens of skills business leaders are looking for, echoes my thinking, as “agility and adaptability” are listed among his Seven Survival Skills. How then do we develop adaptability in students? By offering them an authentic learning environment in which they create solutions to real-world problems. Project-based learning (PBL) is a methodology that provides such authentic, real-world learning. Exemplified in BIE’s model, it can be applied to virtually any problem or challenge.

Project-based learning (PBL) is a methodology that provides such authentic, real-world learning. Exemplified in BIE’s model, it can be applied to virtually any problem or challenge.

Just as in the real world, application of PBL begins with identifying and framing a complex problem or question, for which students are asked to create potential solutions. Integral to the methodology, they use design thinking to define, test and either discard or refine their designs in an iterative process.

We also see the 4Cs of collaboration, creativity, critical thinking, and communication woven into the structure of a PBL project. Solutions are often developed in a collaborative team. The team members are required to communicate with each other, often with experts on the subject, and with a public audience, to whom they present their products, their evidence of learning. Designing solutions to the complex problem or question requires critical thinking, in order to truly understand the challenge, and to research, analyze, and synthesize information needed to develop a solution. Likewise, creative thought, effort, and oftentimes failure are integral to the process of solution design and development.

Our schools and classrooms need to be as adaptable as our learners are going to need to be, or as Sam Seidel says, we need to “keep it real.” PBL is a winning way to get us there.

November 5

#AltCV and #DigiWriMo

Phew. That’s all I can say. When the #DigiWriMo folks issued the call to create an “alternative CV,” “based not on degrees and position and peer-reviewed publications, but on what we think is most important about who we are and what we are genuinely most proud to have accomplished,” I decided to make the exercise a challenge. More of a challenge than I anticipated, really.

Animaker is a tool I have barely glanced at, but which has fascinated me for some time. So, I decided to use it to create my #AltCV. Thus the adventure began. Animaker has an eleven-and-a-half minute tutorial. I watched it once. Fumbled through assembling a few “scenes.” Several things did not come together as I wanted them to. Went through the tutorial again, to find the explanation for the nuances I was missing. Like all good learning experiences, the process was iterative. I would make some modifications, replay the video, identify the improvements I needed to make. Again and again.

In my work as a PBL (project-based learning) coach, this is an aspect I impress upon teachers. Students need to be given feedback on their work, and the time to revise. Not only once, but multiple times. My all-time favorite example of this is Ron Berger’s video of  Austin’s Butterfly:

It is all too common for educators to get caught up in the but-I-have-all-this-content-to-cover mindset, so students don’t have the occasion to delve deeply into any given topic, nor do they have the opportunity to reflect on their work, and to make improvements.

This year in our Meliora group, we are studying World History. To some, I will sound like a heretic, but I care little about what these students carry away in knowledge and facts about World History (well, I do hope they remember “les grandes lignes,” the major points). What I mostly care about is that they develop deeper thinking and analytic skills. We spend significant time discussing events in history, and making connections to today, to my students’ reality. By using open-ended questions, “why?” and “how do you know?” being perhaps my favorites, the students are required to think, and to defend their rationale.

I also care that the students learn to reflect on their work, and to actively find ways to improve it. As they develop projects, I offer feedback throughout the process. They also conduct peer reviews of each other’s work, so they can learn to critique using “kind, helpful and specific” (a phrase coined by Ron Berger) feedback.

As I went through the development of my #AltCV, I was also applying Standford’s d. school ideology of “iterative generation of artifacts intended to answer questions that get you closer to your final solution.” As they further explain in the excerpt below, iteration is fundamental to good design. Interestingly, they discuss iterations within a process, in my case the complete video, and then within a step, in my case a single scene. That is exactly how I tackled it, narrowing my focus as the flow began to take shape.

d school design thinking excerpt

I would argue this design process can be applied to many, if not all, academic disciplines. When I work with Meliora students on their history projects, we first look at the big picture, their overall argument/thesis, then over time narrow the focus to particular details that need fleshed out and refined. Likewise, when solving a math problem students need to learn to determine the process to be used, then drill down to the detail. And so forth.

And, now, for my #AltCV: