May 13

Celebration!

For the past several months, I have been alternately a coach, cheerleader and nag in supporting a group of five teens as they have created and iteratively evolved a #project for National History Day (#NHD), a #process I detail here.

The students successfully advanced through two regional competitions. The stage was set for the last leap as they presented themselves before a panel of judges at Illinois History Day, the final round of competitions from which national delegates are chosen.

In theory, the interview is moot, as the judges are instructed to assess the projects based solely on the concrete evidence – the product (in this case a documentary) and supporting documentation (annotated bibliography and process paper). Having some insight into human behavior, I believe these informal interviews nonetheless influence the judges in their conclusions.

Initially, the group of #Meliora students was confident as they answered the judges’ questions. Then, they were asked about something they were unprepared for. They would have probably been best served by saying they didn’t know the answer. Instead, they fumbled around and several students gave conflicting information.

They left the interview totally dejected, knowing they had flubbed, and convinced they had lost their opportunity to advance. A few hours later, they glumly presented themselves for the closing ceremony, where the national delegates were to be announced. There are only 18 projects which advance from each state to the national level, and my students were in competition with dozens of other Illinois students. They understood the stakes.

We all agonized through the obligatory announcements. Finally, the moment of truth arrived. Ploddingly, the announcer named the NHD qualifiers for other categories. She arrived at documentaries, backtracked, then spoke… “Senior level, group documentary… Colleen Moore…” Hysteria erupted among the Meliora contingent, beginning with the parents. The students were stunned, then raced up to collect their medals and to await the photo opps. Jubilant, I ran with my camera to capture their joy.

For a glimpse into how the #iterative process embedded in this competition (and in #PBL in general) helps develop a variety of skills, from critical thinking to creativity, take a peek at their product for the first competition:

And the one which earned them a spot at NHD:

Of course, they are not done. They will be revising their documentary one more time before heading to the University of Maryland in early June.

April 26

#PBL as a #process within a #framework

Recently, a team of five #Meliora students uploaded a newly refined version of their history fair project. Next week, they will be competing at Illinois History Day, the last step in their quest to qualify as national contestants.

National History Day (#NHD) provides a good example of the Project-Based Learning (#PBL) #process and #lifecycle. Students are first challenged at a local/school level to create a project, within a specified #framework. As pointed out in the High Quality Project Based Learning Framework, and by John Spencer, high-quality PBL is not a free-for-all, but rather #learnercentered work conducted within the boundaries of a defined structure.

The NHD project framework consists of the following specific criteria:

  1. Must strongly incorporate the annual #theme (the 2018-2019 theme is “Triumph & Tragedy in History”).
  2. A choice of five categories: paper; exhibit; performance; documentary; or website. This variety offers students abundant #voice and #choice in the product they create. Ultimately, the product serves as their primary #evidence of #learning.
  3. Constraints for each project category. For example, documentaries cannot exceed ten minutes in length. Conversely, they should not be much less than ten minutes long, (an unspoken rule) because if students cannot find ten minutes of evidence to support their argument, it suggests they have not looked into their topic deeply enough.
  4. Supplementary documentation, including an annotated bibliography and a process (#reflection) paper.
  5. #Public #presentation (#communication) before a panel of judges at each level of competition. The judges use identical evaluation criteria for each category of project, focusing on the clarity and strength of the argument the students develop in defense of their thesis statement.

Nearly every discipline uses a framework or blueprint for their creative work, it’s a writer’s workshop structure, an engineering process, the scientific method, or a design thinking framework. ~ John Spencer

Students have complete voice and choice in the topic they explore, as long as their thesis and argument fit within the framework. In past years, Meliora students have explored topics as diverse as “The Tucker Torpedo,” Women’s Suffrage, Michael Jordan (national contender) and Soul Train (national contender). The topics chosen reflect the students’ interests, while at the same time requiring them to conduct thorough research.

In many cases, the students started their journey with superficial knowledge. As they dug deeper, their knowledge and critical analysis expanded. Not only did they learn more about their chosen topic, but more importantly (shhhhh, don’t tell them), they developed a much deeper understanding of the historical context, content, and relevance.

In my role as #facilitator, I did not “teach” them about their topic. Rather, I asked them many open-ended questions: “Why did [event] happen?” “What else was happening in the [country, world] at the time?” “What was life like at that time?” “How do you know?” I also helped them locate resources, and persistently asked them to use proper research methods.

This year, the most significant #mindset growth this team made was arguably related to an interview they conducted. That one 20-minute activity (plus the preparation work) exponentially boosted their confidence and their belief that they have significance, not only in the teen world, but also the adult world.

As I also write here, students who participate in National History Day create multiple #iterations of their product, refining their work between each level of competition. Since the project framework remains constant, they invariably are faced with making tough decisions as to which evidence is most relevant to their thesis argument. There is frequent anguish as they remove a favorite quote or an image they love, even as they recognize that a particular element is less important than others they need to include.

This refinement process is an excellent tool for helping the students develop #criticalthinking skills. When they are struggling to make decisions and ask my advice, my standard response is, “In what way does it support your thesis?” Often accompanied by sighs and groans, they make the correct decision.

This is the documentary going to competition next week:

For the truly dedicated, here is the team’s first version:

April 15

Another example of how and why #PBL works

A few days ago, I informed a group of five #Meliora students that their history project had advanced to Illinois History Day, the last step in their quest to become contestants at National History Day.

I see these students face-to-face one day a week; the rest of the time they work individually and in a virtual environment using collaborative tools such as G Suite for Education and Trello. I informed them by email of their victory, expecting some kind of happy dance response. And received silence.

The next day, my phone rang. “Um, Miz J, we have been working on updating our project narrative. Can you look at it and give us feedback?” They had arranged a face-to-face meeting among themselves and gone to work.

This is a fine example of #intrinsic motivation, and an outcome commonly seen in #PBL (project-based learning). As I describe here, engagement was maximized by giving students #voice and #choice over their project topic, and also over the format they used to develop their product.

They have been working on this project (along with other things) this whole semester. This long exploration exemplifies “sustained inquiry,” an integral element of Gold Standard PBL, as defined by PBLworks. Multiple factors have sustained the students’ interest. Initially, they were intrigued to find out more about the subject of their project, Colleen Moore. They researched using books, clips of her silent movies, online archives, databases, etc.

Once they wearied of these forms of investigation, they experienced a fresh spark when they interviewed Ms Moore’s grandson. His descriptions of her, and other connections he pointed them to, renewed their enthusiasm for digging deeper into evidence of her life and influence.

The inquiry process takes time, which means a Gold Standard project lasts more than a few days. In PBL, inquiry is iterative; when confronted with a challenging problem or question, students ask questions, find resources to help answer them, then ask deeper questions – and the process repeats until a satisfactory solution or answer is developed. ~ PBLworks

Another important factor in the students’ continued enthusiasm is the public audience, another tenet of Gold Standard PBL. At each level of competition, they present their project before a panel of judges. Invariably, the judges express interest in their work and in their process. The judges also provide the students with specific suggestions on how to improve their work.

This encouragement and critique from the outside audience spurs the students on to create yet another #iteration of their project (also integral to Gold Standard PBL). The stakes are also higher at each level of the history fair competition, which intensifies both the focus and the stress.

The challenge is to ensure the students are experiencing an appropriate level of stress. As this Psychology Today article states, “You experience good stress when you feel a sense of control over the event in question. No matter how your body may respond in the moment, you know you’re going to come out fine on the other side—and perhaps even better for the experience.” My observation is this group of students is functioning within this range. Their ultimate goal is to advance to the national level of competition. At the same time, they are staying grounded, taking one step at a time, to each subsequent level of competition.

The current iteration of their project may be viewed here.

April 5

Evidence, always need evidence

Earlier this week, a group of five #Meliora students finished revising their National History Day (NHD) documentary project in preparation for the next level of competition. NHD projects essentially consist of developing and defending a thesis, a difficult cognitive task for the middle- and high-school students who enter this contest each year. At each level of competition, the students present their project before a panel of judges, who evaluate and provide feedback on the solidity of their thesis argument. Those projects with the most persuasive defense are the ones which advance to the next level.

In the recent competition, my students received feedback that their selection of secondary sources was narrow and limited. The judges knew this because as part of the NHD framework students are required to create an annotated bibliography of their sources.

As I supported them in learning how to more effectively dig through (online) newspaper and other archives, one of the students commented, “we don’t need this article, because we already have this information.” Which prompted me to loop back to earlier in the year, when we discussed reliability of evidence, how we must find multiple sources that support facts or a certain interpretation in order to consider it reliable. We work on #digitalliteracy as we talk about the kinds of digital sources that are generally more reliable, with the understanding that even those must be substantiated.

During the revision process, the students also made some claims I was skeptical of as they developed their historical context. So, I did a little research of my own and presented my evidence, which clashed with their claims. Then I asked them to sort out what they thought the most valid interpretation was.

This experience coincided with my reading of a recent MindShift article on how students are unable to evaluate the credibility of what they read online. The percentages are staggering; 82% of middle schoolers in a 2016 study were unable to tell the difference between an online ad and a news article. Even more frightening is that 59% of adults in a 2014 study couldn’t tell the difference either.

As Sam Wineburg, Stanford University professor states, “rather than teaching them [history lessons] as rules or things fixed in time or set in amber, these are precisely the kinds of things that are worthy of debate.” In Meliora history classes, every topic is open to discussion. I impress upon my students that I am not the “expert,” that they are welcome to challenge any claim I make… as long as they have evidence. As we ask our students “why?” and “how do you know?” during these kinds of discussions, we are helping them develop their #criticalthinking skills.

For the curious, the Meliora documentary project currently in competition can be viewed here.

March 15

Preparing for the adult world through the use of #PBL

I have an admission to make. I am living vicariously through my #Meliora students. A group of five teens has been crafting a documentary project for Chicago History Fair, with the goal of advancing the several steps that will take them to National History Day. This competition asks students in grades 6-12 to convincingly argue a thesis, a skill many students develop only in college.

The Meliora team’s self-chosen topic (a central #PBL tenet is to give students #voice and #choice in deciding what topics they #deepdive into) shines a spotlight on Colleen Moore, a larger-than-life, yet nearly-forgotten woman who was a top salary-earner in silent films; a significant influence on the evolution of American society’s views of women through her “safe” flapper lifestyle; and an investor maven, unheard of in her time.

Through a fortuitous series of events, the students located Moore’s grandson. I urged them to ask him for an interview, the goal being to have him provide them with additional evidence to include in their project. His initial reply to their email request was pretty abrupt, with edges of ice. He pointed them to a variety of existing sources that detail her life and influence, and said he would need to understand their “line of questioning” before granting an interview.

Fortunately, the students had already found and analyzed the sources he cited. I encouraged them to continue to pursue the interview, and suggested maybe his coldness was due to uncertainty around what questions they wanted to ask. I suggested they send him their interview questions, so that he would understand their “line of questioning.”

After receiving their list of questions, he agreed to a telephone interview, which was conducted by three of the five team members. When they actually got on the phone with him, he was friendly and forthcoming with information, and provided very intimate views of Colleen Moore from his viewpoint as her grandson.

It was apparent during the interview that the three student interviewers were feeling nervous. Notwithstanding, they did a stellar job, and obtained the information they were seeking. After they concluded the call, their relief was palpable, followed by laughter, and “That was great!’ They felt exhilaration related to the fact that this hard task they had never tried before had been a success.

This success led to increased confidence in reaching into the adult world. During a recent class session, the team made a series of phone calls to other potential sources in an effort to deepen their understanding and analysis of their topic. Some of the calls led nowhere, others bore fruit. As one of the students remarked, “This is fun, talking to all these people.”

This. Is. What. We. Want: Students. To. Learn. #RealWorld. #Skills.

The students’ project has advanced to the next level of competition), and they are currently in the process of improving it, based on judge feedback, readying themselves for the next level of competition. This iterative approach is integrated into #RealWorld design processes, another way #PBL helps prepare students for the adult world.

February 8

‘twixt and ‘tween childhood and adulthood (and how #PBL builds maturity), Part 2

A few moments after the agonizingly drawn-out note-writing experience I describe here, I witnessed (not for the first time!) the mercurial shift of these teens into almost-adults.

Each year, the history students in my #Meliora project-based learning (#PBL) practice create a project to submit to the National History Day (NHD) competition. This year, a group of five students is collaborating on creating a video documentary. The deadline to submit their work for the first round of competitions is eight days away. They have a lot of work to do, as is the case every year about this time, when students realize they are down to the wire.

This afternoon, I sat in on a revision process of the voice-over narrative the students are going to use. The objective of the narrative is to argue their thesis. The quality of their thesis and supporting evidence is what will allow them to advance to the next level of competition. Or not.

The assignment I gave them was to have one student read the narrative aloud while the other students listened. The listeners could stop the narrator at any point and jump in with suggested revisions. My observations:

  1. One student started reading the narrative, and was having difficulty staying focused enough to read smoothly. Another student stepped in to take over the task. The “hand-off” was done with a friendly, positive attitude by both students.
  2. Students were listening intently to the narrative flow.
  3. When students heard something they felt was lacking/incomplete/repetitive, they spoke up immediately and the whole group worked to find a solution.
  4. There was no defensive or argumentative behavior and they came to consensus efficiently.

These are the moments that inspire me to continue challenging students using PBL. In this one activity, which lasted for about 45 minutes, the students hit all of the touchstones of High Quality Project Based Learning:

  1. Intellectual challenge and accomplishment. At the beginning of the semester, they spent weeks researching and defining their thesis. Once established, my persistent question to them has been “how does this narrative support your thesis?” That was a question they returned to throughout their review today.
  2. Authenticity. They had complete choice over their topic, the two constraints being that it relate to Illinois history and that it fit the NHD theme, which this year is “Triumph & Tragedy in History.” This is a requirement of the Chicago History Fair organization, the regional level of entry into National History Fair. Due to this freedom of choice, they have remained highly engaged in conducting research and creating a convincing argument.
  3. Public product. The students will be presenting their work to a panel of judges in a public forum, which raises the stakes and their desire to create a high-quality product. The stakes (the intensity of competition) will continue to raise as they advance levels.
  4. Collaboration. Today’s task was completely collaborative. Throughout the project, they have worked both individually and collaboratively toward a common objective, which is  persuasively arguing their thesis.
  5. Project management. They students have been using Trello throughout the project process to identify, assign, and track progress on tasks. Finalizing the narrative is a task they must  complete before they can assemble the video documentary, so they understand the criticality.
  6. Reflection. They were actively and openly reflecting on the narrative composition that had been done to-date. Throughout the project development process, they are required to reflect on how the items they are researching, the books, images, video clips, newspaper articles, etc. contribute to their argument. They assigned team roles and responsibilities early in the project, and have continued to modify them over time, based on the interests and skills of each team member.

I have every confidence a week from now these engaged, enthusiastic students will have a well-argued, well-edited documentary to submit for competition. Because they care.

February 7

‘twixt and ‘tween childhood and adulthood (and how #PBL builds maturity), Part 1

Today was one of those days I was reminded (as if I could forget!) that adolescents are neither children nor adults, and that they are moving along a jagged path that will bring them to mature behavior ever more frequently. It was also a day that reinforced my commitment to project-based learning (#PBL) as a brilliant pedagogic methodology for preparing students to succeed in adulthood.

As part of our European History studies, we recently took a field trip to the Illinois Holocaust Museum & Education Center. In addition to a docent-led tour of the main exhibit, we each experienced a virtual reality tour with Pinchas Gutter, the only member of his family to survive the Holocaust. The viewer “walks” with Gutter as he shares his recollections of being transported by jam-packed railway car to Majdanek, a German concentration camp in Lublin, Poland. Gutter continues to tell his story as he accompanies the viewer through intimate views of the gas chamber and shower room where at least 78,000 prisoners (59,000 Jews) were killed.

Illinois Holocaust Museum and Education Center by Wikimedia Commons shared under a  CC0 Creative Commons license.

Understandably, the field trip had a strong emotional impact on the students. We “de-briefed,” discussing emotions and connections the students felt throughout our visit. I then asked the students to collaboratively write a thank-you note to the museum employee who organized our visit.

What should have been a five-minute exercise turned into a half-hour ordeal. There were discussions about who had the best handwriting. And how the card should be signed. There were laborious analyses of the correct phrasing to use. Finally, the card was done and signed.

Next, I share the grown-up side of these students that occurred a heartbeat after completing the thank-you note.

 

February 4

PBL = Good Business

The Association of American Colleges & Universities (AACU) recently published survey results collected from business executives (profit and nonprofit sectors) and hiring managers. In the executive summary, they state, “The college learning outcomes that both audiences rate as most important include oral communication, critical thinking, ethical judgment, working effectively in teams, written communication, and the real-world application of skills and knowledge.” [emphasis added] Furthermore, “[b]usiness executives and hiring managers indicate that participation in applied and project-based learning experiences—particularly internships or apprenticeships—gives recent college graduates an edge.”

The college learning outcomes that both audiences rate as most important include oral communication, critical thinking, ethical judgment, working effectively in teams, written communication, and the real-world application of skills and knowledge.

The “4Cs,” (critical thinking, creativity, collaboration, communication) have been embedded in high-quality project-based learning for many years. As students tackle “a challenging problem, an intriguing question, or multi-sided issue,” they engage in critical thinking, looking at the question/problem from many angles and conducting research. Defining possible solution(s) requires creativity; thinking outside the box, prototyping, learning from failure. Students collaborate with others, often peers in a team, as well as with subject-matter experts. As a final step in the process, they showcase their evidence of learning by presenting (communicating) their work to a public audience.

The best projects address real-world problems, and the solutions the students create are presented to real-world stakeholders. These are just some of the ways project-based learning helps prepare our learners for success in their adult lives.

January 24

“There’s a whole lot of talking he’s not doing”

“There’s a whole lot of talking he’s not doing.” This line comes from The Kitchen House, by Kathleen Grissom. A character named Belle is quizzing another character, named Will, about a third character, Lavinia, whom Will has recently visited. Belle is asking what happened during his visit, and she correctly discerns that his responses express only a fraction of the whole truth.

Although there is ongoing debate about exactly how much influence each single component of communication has, it is universally accepted that non-verbal communication is more potent than the words we use. Landmark studies conducted by Albert Mehrabian in 1967 concluded that only 7% of our communication is related to the words we use. Mehrabian asserted the vast majority of what an interlocuteur “hears” is based on intonation and facial cues.

There are many criticisms of the exact percentages, and what exactly Mehrabian measured. However, even the most skeptic critic would acknowledge that nonverbal cues are more important than the words in a message. This particularly complicates communication in the digital world, where much of our communication is through text modes. How exactly should I interpret the “tone” of an email? But I digress.

Educators are typically in face-to-face communication with their students. So what, exactly, are we communicating to our students with our nonverbal cues? What are our facial expressions communicating? What does our body stance say? When the words are positive in nature, is our tone supporting that message?

Just as importantly, are we truly “listening” to our students? When Ashlee says “I don’t care,” what is her body language saying? When Jayden is unable to make eye contact, what is really going on? Are we taking the time to truly understand our students?

In a high quality project, students make their work public by sharing it not only with the teacher but also with each other, experts, and other people beyond the classroom. This occurs both during a project, as part of the product development and formative assessment process and at its conclusion, when the product is shared and discussed with an audience. ~ from A framework for high quality Project Based Learning.

And, what are we doing to help our students build their communication skills? Long identified as one of the 21st Century skills, and also identified by Tony Wagner as one of the 7 Survival Skills, it is imperative we help our students develop their ability to communicate clearly and effectively.

The high quality Project Based Learning framework (#HQPBL) recognizes this necessity, so communication is woven into projects. As students develop their projects, they are called on to communicate with each other, with subject-matter experts, a public audience, and with themselves through reflection. Another reason #PBL rocks!

January 18

Climbing Mountains, Part 1

Yesterday’s Memoir, Biography & Autobiography class was nothing short of exhilarating. We have been reading Into Thin Air by Jon Krakauer, and the students and I are enjoying it tremendously.

The students are raving about this adventure story and how they can hardly put it down. One student came to class after reading a few chapters and said, “he [Krakauer] is a walking dictionary. I had to look up so many words.” It struck me that the storytelling must be exceptional (it is) to propel a student to persevere through many unfamiliar words. 

I am always gratified when a mentor text generates such positive response, because students are much more willing to analyze the work. It is easier for them to identify the characteristics which make the story so interesting. These particular students are in the midst of a semester-long narrative nonfiction writing project, and an engaging text such as this one makes it easier for them to absorb the “tips” that will help them in their own writing.

To guide our discussions, we are using an adaptation of the Nonfiction Discussion Sheet detailed in Harvey Daniels’ Literature Circles: Voice and Choice in Book Clubs and Reading Groups. One of the steps in the students’ process is to create a sketch related to the reading, “a drawing, cartoon, diagram, flowchart — whatever.”

As illustrated below, some students are totally enthused about this part of the process, others not so much. Nonetheless, even the simplest drawing provides insight into something the student got out of the book, especially as they explain their sketch.

      

The most exciting part of yesterday’s class was the passion brought into the conversation about whether climbing Mt Everest was something the students would be interested in doing. Some would, some wouldn’t, and we explored the many reasons why (or why not). As one student described the thrill of rock climbing, another expressed their fear of heights. It is always rewarding when students feel comfortable to show vulnerability.

For me, the most enlightening (and disheartening) part of the conversation centered around the students’ perspective on why climbing Mt Everest, once a topic of high interest, no longer is. More on that in the next post.